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BLAKE CARTER

All of Us Series

841 of Us (Supplicant Hands - White)

841 of Us (Supplicant Hands - White)

Ink on Panel. 30x30. $3000.

879 of Us (Supplicant Hands - Black)

879 of Us (Supplicant Hands - Black)

Acrylic, Ink on Panel. 30x30. $3000.

All of Us (Rainier)

All of Us (Rainier)

Ink on Panel. 36x48. Sold.

494 of Us (Butterfly Dreams)

494 of Us (Butterfly Dreams)

Ink on Panel. 36x48. Sold.

All of Us (Hand)

All of Us (Hand)

Ink on Paper. 30x22. $1500.

1740 of Us (Progress)

1740 of Us (Progress)

Acrylic on Panel. 36x48. $4000.

495 of Us (Owl)

495 of Us (Owl)

Ink on Panel. 36x48. Sold.

70 of Us (Falling)

70 of Us (Falling)

Ink on Paper. 30x22. $1500.

All of Us Series

841 of Us (Supplicant Hands - White)

841 of Us (Supplicant Hands - White)

Ink on Panel. 30x30. $3000.

879 of Us (Supplicant Hands - Black)

879 of Us (Supplicant Hands - Black)

Acrylic, Ink on Panel. 30x30. $3000.

All of Us (Rainier)

All of Us (Rainier)

Ink on Panel. 36x48. Sold.

494 of Us (Butterfly Dreams)

494 of Us (Butterfly Dreams)

Ink on Panel. 36x48. Sold.

All of Us (Hand)

All of Us (Hand)

Ink on Paper. 30x22. $1500.

1740 of Us (Progress)

1740 of Us (Progress)

Acrylic on Panel. 36x48. $4000.

495 of Us (Owl)

495 of Us (Owl)

Ink on Panel. 36x48. Sold.

70 of Us (Falling)

70 of Us (Falling)

Ink on Paper. 30x22. $1500.

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ABOUT​

Blake Carter’s recent drawings abound in dichotomies. Crudely scribbled figures are arranged into carefully structured compositions, and though the pieces are figural, they appear abstract at a distance. The figures look repetitive until closer inspection reveals that each one is unique.

 

Conceptually, the grouped figures suggest a sense of togetherness and community. Each of us is flawed, but with organization and collaboration, we as a society can prosper. Most of the figures are anonymous, like the people we see but don’t get to know in everyday life. A few cultural and historical references playfully invite a closer look.

 

Blake’s choice of drawing on porous substrates adds an expressionist element of risk, limiting any possible revisions and creating a record of his time-intensive process. While expressionism is often associated with impulsive, emotional outbursts, the pieces exude an obsessively controlled balance of chaos and order. 

Education

Whitman College, Walla Walla, WA:

Bachelor of Arts, Studio Art Major

Artists Studied Under

Keiko Hara

Tsong Pu

 

Collections

City of Kent

The University of Chicago

Body of Work

2009-12: Composers (available)

2009-15: Scooters (sold out)

2012: New Landscape Paintings (sold out)

2012-16: Pedestrians (closed)

2017-current: All of Us (available)

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